StatementMy practice explores how human fragility contends with systems built for speed and survival. Through sculpture, assemblage, and montage, I navigate the tension between nostalgic comfort and hypermodern pressure, where what we value becomes interchangeable between frameworks of complexity and simplification. I approach sculpture not only as a material practice, but as a way of shaping—through editing, assembling, or stewardship—recognising that what’s left still, matters.